Smock, an Essential Item for Kindergarten and Nursery Schools – Sewing Instructions

A smock is an essential item for kindergartens and nurseries, allowing children to play without worrying about getting their clothes dirty. By adding the elastic around the collar and cuffs, it can be easily put on and taken off. The featured fabric is 100% cotton oxford from the “Costume Animal” series. The fun space-themed pattern makes it perfect for children’s playwear.

Design & Work:Kokka Fabric

Fabric shown for this sample:LGA-41020-1B

□ Fabric A: about 110cm wide x 100cm
□ Fabric B: about 110cm wide x 20cm
□ Fabric C: about 110cm wide x 20cm
□ Bias Binding Tape: about 11mm wide x 70cm
□ Elastic: about 8mm wide x 75cm

◎Sewing Instructions

◎Sewing Instructions (PDF format / A4 size)

Visit artist 020: Manabu Ogawa (Wire artist)

Turning animal wire sculptures into fabrics

Manabu Ogawa is a wire artist known as HAyU. In January 2020, he launched “+HAyU fabric”, a textile brand expressing his unique interpretation of wire art that attracts people of all ages and can be freely arranged as decorators like. In 2021, Kokka-fabric interviewed Ogawa to coincide with release of his second series of +HAyU Fabric. (KF): We hear that you started making wire sculptures because you wanted to decorate your new home’s living-room wall with art. What did you make back then?

I made a bighorn sheep with curled horns.

▲Ogawa’s first work: bighorn sheep

KF: Did you use any reference on making it?

I referred to my son’s pictorial animal book published by Gakken.

KF: How did the wall décor make you feel? And, what was your family’s reaction?

My then-2-year-old son was excited and said “Uma, Uma (horse, horse)”. I thought I would make a horse next.

KF: How do you make a wire sculpture?

There are many ways wire can be shaped. In my case, I make it without a rough sketch. When I make an animal wire sculpture, I start by making its eye balls. The size of eyes determines the whole size of sculpture.

KF: You started your career as a wire artist at “Aosando Art Fair” in 2017. What made you participate in the event?

My wife used to work at H.P. FRANCE, the organizer of the event. It was good timing when I visited her co-worker to show my works. That’s where I got an offer to exhibit mine at the coming event.

▲ Ogawa’s debut exhibition at the Aosando Art Fair

KF: How did the exhibition change your production and work style?

I was a horticultural farmer of cut flowers. So, I had created one sculpture every few months before the exhibition. After then, however, I had to make 30 sculptures within a few months while doing my main job as a farmer. It was hectic, but such a great opportunity kept me motivated.

▲ Demonstration at the Aosando Art Fair

KF: That’s amazing. It’s started by making your own wire art to decorate your house. What encourage you to keep creating wire sculptures as a professional artist?

It motivates me most that there are people who enjoy displaying my works. At the beginning of my career as an artist, my sculptures were featured by the interior stylist Kanae Ishii and the actress Yuriko Ishida. I always remind myself to do a better job to live up to the praises of those wonderful ladies.

KF: What inspire you in creating works?

My artworks reflect my own experiences as well as the connection with the environment or people. I have no schooling or experience in art, but I have a lot of different experiences: working as a hairstylist; a farmer; urban life in Tokyo; and country life in Ibaraki. I always seek to approach my creation from the perspective that the art experts have never experienced.

KF: It’s interesting to hear that your experience influences your works. Besides your creative activities, you actively participate in various events. What attracts you to do that?

I really like showing the real products, meeting customers or event staffs in person, and showcasing my works in an event venue I cannot set up.

▲ His exhibition at CASICA in December 2020

KF: You sometimes conduct a wire art workshop, too. What is the interest of that?

The concept of HAyU is “the variable art per decorator”. That’s what my workshop (currently on hiatus) is designed for each participant to arrange the wire art. I enjoy encountering unexpected arrangements. It is the moment of surprise and learning.

KF: Your website shows pictures how various people display HAyU artworks. Is there anything you find out by seeing other people’s living spaces with your wire sculptures?

“Making HAyU” and “decorating HAyU” is completely different. I still have a lot to learn about decorating. So, those pictures are very helpful.

Team up with Kokka to create textiles
KF: You launched your textile brand “+HAyU fabric” with Kokka and released its first series in January 2020. What did you think when you first heard about making textiles?

I instantly thought, “It sounds fun! I want to do it!”, because I would not be able to make textiles by myself.

KF: Apparently you have the same artistic vision for either wire sculpture or textile. As a creator, what did you keep in mind mostly in making textiles?

HAyU’s signature is the wire animal head sculpture. I had no intention to change my concept even for textile designs. So, I made a wire sculpture first to design textiles.

KF: You designed textile with wire sculpture, not by drawing. What was the most exciting thing in making textile?

When I purposely flattened out the three-dimensional wire sculpture to create two-dimensional design for textile, I was excited to rediscover the parts of wire that would not have been drawn in the painting. And, textile is a complex combination of several elements such as design, color scheme, types of fabrics and threads. That’s why textile design is very deep and interesting.

KF: What is difficult in making textiles?

With more experiences, I will hopefully be able to predict what will happen. The design and color scheme determine how textile look. Sometimes, the pre-production sample comes out different from what I expect. It is still difficult to make exactly what I image.

KF: How did you feel when you saw your first textile?

It was my first challenge with no experience. Actually, I had spent more time on meetings and modifications on how to make textiles. Therefore, the first product thrilled me!

KF: On Instagram, there are many posts of handicraft made with your textiles.
What do you think when you see how your textiles are being used?

The wire sculptures, which were adopted as the patterns of textiles, were made for my sons*. So, I am glad that some people use my textiles to make their children’s clothes. I also see many posts featuring my “cat” textile together with real cats. It’s fun to see.
*The brand name “HAyU” is the coined word coming from the initials of Ogawa’s two sons.

KF: Let’s talk about the second series released in January 2021. What is different from the first one?

For the first series, Ms. Yamane of Kokka was great help for me because I had no idea about textile design. For the second series, I got help from her again. The new series reflects what I wanted to have and I wanted to make. Accordingly, I chose colors for some prints to obscure the patterns. There are also prints of which patterns are clearly visible only through the light. In addition, this series includes a few textiles with large motifs, which generate a completely different look depending on the creator.

About future
KF: What do you want to do from here on?

As for the wire art, I will keep making wire sculptures to try different styles I want to do. I also have plans to collaborate with private sectors or creators for the projects such as making a new artwork or space decorating. As for textile design, I’m going to design home décor fabrics.

KF: In closing, please give a message to our readers.

Currently events are not allowed due to the COVD-19 pandemic. But I am encouraged by seeing many posts of the sewing projects made with +HAyU fabric. I look forward to your continued creations and posts. Thank you.

▲ Decorating the site for giveaways

KF: Thank you

Children’s Dress with Three-Tiered Frills – Sewing Instructions

*All Rights Reserved.  Please refrain from the unauthorized use of project photos.

This tiered dress for children has three-tiered frills with plenty of gathering. The fabric used is CATS from the “+HAyU fabric” series. It is a fluffy double gauze embroidered fabric with round and square sashiko-style embroidery as an accent. The large cat designed with wire art has a great presence! It is a must-have for early spring outings.

Design & Work:Naomi Nohara (lepolepo)

Fabric shown for this sample:EGX-7702-3B

□ Fabric: 110cm wide x 2m
□ Elastic Tape: 70cm (Braid 8 cord)

Size: For 130cm height Back length 75cm

We interviewed Naomi about her creation:
Kokka Fabric (KF): What did you think of the fabric you used for this project?
I thought that the pretty embroidered pattern of a cat has such cute impact! I also like the color combination of pink and green. Since this fabric has a strong presence, I decided to make a simple yet voluminous design tiered dress.

KF: Can you tell us any special elements or ideas that you incorporated into this creation?
To make it easier to slip on and off, the back neckline features an elastic tape. It is also relatively straightforward to sew because there is no need to make an opening.

KF: What are some tips for making this dress?
The part where you have to sew a lot of gathering may be challenging, but they add the volume that makes this dress a cute piece, so please try your best!

KF: How should we incorporate this dress into one’s styling?
In the photo, I’ve styled it with a pair of socks, but I think it would also look cute with leggings. Please enjoy coordinating the bright pink color for a spring look♪

KF: Thank you very much, Naomi! Here are sewing instructions along with step by step photos from her. Enjoy crafting!

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Kid’s Backpack – Sewing Instructions

This is a backpack in a cheerful color that is perfect for the coming season. The pockets on the outside are just right for storing handkerchiefs, tissues, and masks. The fabric used is from the “FANTASTIC WORLD” series. The main fabric for the backpack has a small pattern that looks like a butterfly or a ribbon. It has no top and bottom, so you can use it without worrying about the design placement. The zipper also comes from the “FANTASTIC WORLD” series. Using two colors, yellow and gray, it goes perfectly with the color tones of the fabric.

Design & Work:Kokka Fabric

Fabric and a zipper shown for this sample:: (Outer Fabric A) LGA-41000-2B (Outer Fabric B) LGA-41000-3B (Zipper) LGF-3FA

□ Outer Fabric A: about 110cm wide x 50cm
□ Outer Fabric B: about 110cm wide x 30cm
□ Lining Fabric: about 110cm wide x 50cm
□ Fusible Interfacing (heavy weight): about 110cm x 50cm
□ Flat Tape: 25mm wide x 170cm
□ Adjustable Slide Buckle: 25mm wide x two pieces
□ Rectangle Buckle: 25mm wide x two pieces
□ Zipper: 50mm x One piece

Size: about 31cm (l) about 26cm (w) about 11cm (d) (Handles excluded)
◎Sewing Instructions

◎Sewing Instructions (PDF format / A4 size)

Convenient Shopping Bag with Shoulder Strap – Sewing Instructions

*All Rights Reserved.  Please refrain from the unauthorized use of project photos.

This is a large shopping bag with a stylish square shape. A strap is also attached so that you can carry it over your shoulder. The echino’s new design, bright is the featured fabric. The echino-like vivid motif looks attractive against the crisp border in this cotton linen canvas. An asymmetric look is achieved by highlighting the border on the front while placing the motif on one side.

Design & Work: Mioko Sugino

Fabric shown for this sample:echino EKX-97100-102C

□ Fabric (Panel Outer Fabric): 102cm x 37cm
(Panel Side Lining Fabric, Bottom Fabric): 110cm wide x 50cm
(Tab Fabric): 20cm × 10cm
□ Bag Tape: 143cm (3cm wide)
□ D Ring: Two pieces (2cm inner diameter)
□ Swivel Lobster Clasp: Two pieces (3cm inner diameter)

Size: 35cm (l) 40cm (w) 10cm (d)

We interviewed Mioko about her creation:
Kokka Fabric (KF): What did you think of the fabric you used for this project?
What an impactful pattern with big motifs! The combination of crisp borders and large flowers will give you many ways to enjoy it by changing the parts and angles you use. For this project, on the contrary, I used the fabric in a straightforward way to make the most of this great design.

KF: Can you tell us any special elements or ideas that you incorporated into this creation?
The width is just right to show the flowers and border in a balanced way. I wanted to take advantage of the crispness of the pattern, so the top stitches are applied in the corners as an accent to give it a solid paper bag look. Since it is a large bag, a detachable shoulder strap is incorporated to make it easy to carry even when it gets heavy.

KF: What are some tips for making this bag?
I wanted it to be sturdy and self-standing, so I used the #9.5 canvas for the bottom and inside. Sewing the corners of the bottom may seem difficult, but with a little extra effort, such as marking the correct position or making a notch, you can do it surprisingly smoothly.

KF: How should we incorporate this bag into one’s styling?
Since it is a bag with a big impact, simple outfit is recommended. It looks stylish when carried with a plain long coat. It would also be great to make a small bag with the same fabric and carry it as a set.

KF: Thank you very much, Mioko! Here are sewing instructions along with step by step photos from her. Enjoy crafting!

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